Capriccio: The Rialto Bridge and the Church of S. Giorgio Maggiore

Provenance

Data provided by the North Carolina Museum of Art and formatted at Carnegie Museum of Art:

Giovanni Antonio Canaletto [1697–1768], the artist, Venice, Italy, ca. 1750. Sir Thomas Baring, 2nd Baronet [1772–1848], Stratton Park, Hampshire, England, before 1848; purchased by his son, Thomas Baring, M. P. [1799–1873], London, England, 1848; bequeathed to his newphew, Thomas George Baring, 1st Earl of Northbrook [1826–1904], Stratton Park, Hampshire and London, England, 1873; Thomas Agnew & Sons, London, England; Sir Charles Clow Tennant (later lord Glenconner), 1st Baronet [1832–1906], The Glen, Scotland, 1894; possibly by descent to his daughter, Emma Alice Margaret Asquith, Countess of Oxford and Asquith [1864–1945], London, England, 1906; sale, Christie’s, London, England, April 2, 1943, lot 26 [1]; sold to David M. Koetser, New York, NY, April 2, 1943; sold to North Carolina Museum of Art, 1952.

Notes:

[1]. Countess of Oxford and Asquith sale.

Data provided by the North Carolina Museum of Art:

Thomas George Baring, 1st Earl of Northbrook (1826–1904), London; with Thomas Agnew & Sons, London; Sir Charles Clow Tennant (later Lord Glenconner),1st Baronet (1823–1906), 1894; [by inheritance to?] his daughter, Emma Alice Margaret (Margot) Asquith [née Tennant], Countess of Oxford and Asquith (1864–1945), London; sold Christie’s, London, April 2, 1943, lot 26 [bought by Koetser]; with David M. Koetser, New York; sold to NCMA, 1952.